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Continue to Archive →Twenty-two original compositions in the tradition of Jeff Wayne's War of the Worlds. Over two hours of music and narration. Each major character narrates their own arc. Written, composed, engineered, and produced by David Moss.
The Bootstrap Paradox begins with an observation mission that becomes a crisis of civilization. A deep-space crew catches ancient light from Jerusalem, 33 CE, and watches the crucifixion and resurrection of Jesus Christ revealed not as myth, but as an intervention carried out by unidentified humans using advanced technology.
That discovery does not answer the central question. It explodes it. The footage fractures governments, faith communities, families, and the crew itself. An atheist surgeon, a Jesuit priest, and a sentient AI are forced to navigate the fallout while institutions choose between truth and suppression, and the line between miracle and mechanism collapses in real time. If it happened, does the mechanism change the faith? Or does faith begin in what the event required of the people who made it possible?
What begins as observation becomes obligation. The deeper the crew pulls on the thread, the clearer it becomes that history was not only witnessed, but engineered — and that one of them will eventually have to cross into the past and become part of the pattern they uncovered. The engine of the series is not a mystery to solve, but a cost that keeps escalating: what truth demands, what love can survive, and what human beings become when they discover that divinity may be nothing more, and nothing less, than intervention, sacrifice, and care.
David Moss brings four decades of experience in storytelling, broadcasting, music production, and audience-building to The Bootstrap Paradox. He is the founder of both Personata Studios and the Thasis Radio Network and has written, composed, engineered, and produced all twenty-two tracks of the audio-musical adaptation.
Finished core materials and companion assets are available for review.
“For All Mankind” meets “The Leftovers” — hard science fiction grounded in real physics and real theology.